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There are numerous other factors related to the markets in general or to the implementation of any specific trading program which cannot be fully accounted for in the preparation of hypothetical performance results and all which can adversely affect trading results. Every moment was a “pinch yourself” moment.Ones know-how together with connection abilities are considerably prized along with the add-on in the. Everyone was excited to be interviewed and have their story told. When I set out to interview, there was only one person who turned me down, and that was because of a health issue. Growing up, it never occurred to me that I could meet them, that I could approach them. RON: What was this filmmaking experience like for you?ĪLAN: It is the true definition of “labor of love.” These writers, artists and editors were my true heroes growing up. That’s when things last - if they challenge you. If you want to “get” MAD, you had to step up your game. Even if they can’t name off the top of their heads a specific moment, I run into people who say, “I read that when I was six,” or “my older brother read that when he was six, or twelve.” It left enough of an impression that they have a fond memory of it.ĪLAN: It didn’t pander. RON: I guess there are a lot of people like us, who fondly remember the original MAD. They’re paying reverence to the original, but they’re making it their own as well, which I think is the right thing to do. I don’t mean in terms of articles, but photos of the original publisher. It seems that at least in every issue, there is a direct reference to the old MAD. They started renumbering it, so they’re up to Issue #8.
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And as a result, they pretty much brought in a whole new staff. And I think that’s a great thing.ĭC Comics took the reins of MAD, and they moved everybody from New York to L.A. It’s hard to compete with that, but they still put it out. What took two months to put into an issue would take The Daily Show one night. RON: I guess many people would be surprised to learn that MAD magazine is still actually publishing.ĪLAN: It’s still in publication, but it’s no different from any other story: there are so many different avenues of humor. I thought, if someone doesn’t do this now, we won’t have the opportunity. At the same time, we started losing some of the artists and writers. My background is in film production, and, quite honestly, I kept waiting for someone else to make the documentary. RON: How did you come about creating this doc?ĪLAN: I’ve been a MAD fan, reader and collector since I was six. Here, we talk with Alan Bernstein about the lasting legacy of MAD, and its impact on the culture: Flower Street Docs - headed by our own Adam Carolla, Nate Adams, and Mike August - will be managing and helping to fund the doc.